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I mainly work with specialty coffee, tea and fine chocolate brands, as well as publishers and creative teams connected to those worlds. What usually connects the projects I take on is not size, but mindset. I’m a good fit for brands that care about product, process and story, and that are looking for visuals with more warmth, clarity and character.

The best fit is usually a project where there is already something strong in the product itself, but the visual language is not fully carrying that yet. That might mean a visual identity that needs more distinction, packaging that needs more cohesion or atmosphere, or illustration that helps bring origin, flavour or process into view. I work on both larger identity and packaging projects, and more focused illustration commissions.

I’m drawn to products that already carry something before any branding is added. A tea, coffee or chocolate product can hold place, care, rhythm, craft and process. That gives me something real to work with. What I enjoy most is not inventing a story from scratch, but recognising what is already there and shaping it into something visual people can feel and remember.

Pricing depends on the type of project, the scope, and how the work will be used. A single illustration is very different from a full identity or packaging project, and rollout, extra formats or wider usage can also affect the final fee. I usually work with starting prices as a helpful guide, and then shape a quote based on what the project actually needs.

That depends on the project, but most take somewhere between a few weeks and a couple of months. A smaller illustration project can move quite quickly. A broader identity or packaging project usually needs more time for research, concept development, feedback and refinement. If you have a timeline in mind, feel free to mention it when you get in touch.

Yes, I do. Not every project needs a full identity or large package. Sometimes one strong illustration, one visual story or one focused design piece is exactly what is needed. As long as the project feels like a good fit in content and direction, I’m always happy to hear about it.

That depends a little on the project, but in most cases I start by developing a clear visual direction and then refine that through a few focused feedback rounds. I prefer a process that leaves enough room to explore, but also enough structure to keep things clear and moving. If a project needs a different setup, I simply outline that in advance so expectations are clear on both sides.

Not at all. Some clients come with a clear brief, and others just know they have a product or brand that needs a stronger visual direction. Both are completely fine. You do not need to have everything figured out before reaching out. A good starting point can simply be: this is what I’m making, and this is where I feel something is still missing.

Yes, absolutely. I work remotely with clients in different places, and that usually works very smoothly through email, calls and shared feedback. What matters most is not being in the same room, but having a shared sense of direction and a clear process.

Once the project is finished, I deliver the agreed final files in the right formats for use. Depending on the type of project, that might include print-ready files, digital assets or simple guidance on how to use the work consistently. And of course, if there is follow-up work afterwards, such as rollout, extra formats or future additions, that can always be discussed.

Yes, if the fit feels right. A brand does not have to be large or fully established to be a good match. What matters more is whether there is care in the product, clarity in the intention, and enough room to create something thoughtful. Some early-stage brands are actually the most exciting to work with, because there is still so much to shape in a focused way.