Tell me what you’re making.

I mainly work with brands, publishers and organisations that have something real to communicate. Especially in specialty coffee, tea and fine chocolate.

Packaging design, brand illustration, editorial illustration, infographics, origin storytelling and visual direction across print and digital.

It’s a world full of flavour, craft, ritual, people and place. There is depth in the product itself, but also in the stories around it, and that makes it a rich space for visual work.

costs before we begin, and I can focus on the work rather than tracking time. Prices depend on the scope and depth of the project. A single key illustration starts from €950. A full packaging storytelling project sits between €3,200 and €4,500. A broader brand and packaging world starts at €6,500. If you are not sure which scope fits, we can start with a visual direction session for €450. That amount is fully credited if you continue with a project.

That depends on the scope. A key illustration is usually done within two to three weeks. A packaging storytelling project takes four to six weeks. A full brand and packaging world takes seven to nine weeks. These timelines assume a smooth flow of feedback and decisions on both sides. I always confirm the realistic timeline before we start, based on my current schedule and the specifics of your project.

Yes. The key illustration package is exactly that — a single, focused commission. One product, one strong image, a clear scope. I also occasionally take on standalone origin story illustrations for brands I have already worked with, or for brands whose work fits closely with what I do. If you have something specific in mind, feel free to reach out and we can see if it is a good fit.

I work with one considered direction rather than multiple concepts to choose from. That direction is grounded in what we discover together at the start of the project, so it is never a shot in the dark. The key illustration package includes two rounds of revisions. Packaging storytelling includes three. The brand and packaging world package includes revisions throughout, within the agreed scope. In practice, most projects need fewer rounds than are included. The goal is always to get it right, not to use up the rounds.

Not at all. Sometimes clients come to me with a very clear brief, and sometimes they just know they need the work to feel stronger, more distinctive or more cohesive. Both are fine. If the idea is still taking shape, I can help think it through with you.

Yes, I regularly work remotely and that usually goes very smoothly. Most projects happen through email, calls and shared feedback, with clear check-ins along the way. I work in English and Dutch.

That depends on what you need. Some brands come back for a new product, a seasonal campaign or a single illustration that builds on what we made together. Those tend to go quickly because the visual language is already there. If you want ongoing capacity, I also offer a monthly retainer. That gives you a fixed amount of illustration time each month for launches, content or whatever comes up. It is something we set up after a project, not before.

Sometimes, yes. What matters more than how long a brand has existed is whether the product already carries something. A clear point of view, a strong origin, a distinct way of making. That gives the work something to hold on to. If you are very early and still figuring out what your brand stands for, a visual direction session can be a good place to start. It helps us understand what is already there before deciding what to build.